Henry RollinsHenry Rollins has revealed in an interview with NME that he and celebrity criminal Charles Manson used to correspond by mail.

Punk star Rollins explained that Manson began writing to him in the early 80s after seeing him perform with Black Flag on MTV.

“He wrote me a letter out of the blue once and he said, ‘I saw you on MTV and I thought you were pretty cool’. Rollins told NME.

“So we corresponded a few times in 1984; I’d just tell him about what we were doing with our new record and he’d send back semi-lucid responses.

“He made references to The Beach Boys stealing his ideas, which sounded like sour grapes, and told me to tell everybody else to take care of wildlife. That must have been the old hippy in him talking.”

Rollins told the NME how the letters made him feel “intense and heavy”, and he always knew when a letter had arrived from Manson as the post office worker would give him strange looks. Manson’s letters were always marked with swastikas.

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Katy PerryKaty Perry, currently topping the UK single chart with her faux-lesbian smash hit “I Kissed A Girl” has had her boobs covered in plaster and a mould created of her ample 32Ds.

The “bust” will later be auctioned in aid of raising money for breast cancer research, Keep A Breast are behind the procedure they are a a unique non-profit organization creating plaster forms of the female torso, customized by fine artists and auctioned to raise funding for breast cancer. You can bid for Katy’s boobs by visiting their site.

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Goldfrapp at The Bridgwater Hall in Manchester

We do like a bit of Goldfrapp in our house and since the new album came out (see my review here…) it’s been one of my favourites to listen to on the bus to work. However, The Bridgwater Hall in Manchester seems to be a strange venue for an Electro-disco band like Goldfrapp. Non-the-less, me decided it would just be plain rude not to go…

Now after Mr M* stood me up an hour before the gig (that’s the third time now you swine) we thought we’d get an early seat, check the place out. I’ve been to the Bridgwater Hall twice before, once for a gig - Nick Cave and a couple of the Bad Seeds doing a quiet acoustic set - the other to see the original, silent ‘Phantom of the Opera’ with a live orchestra (That’s the kind of venue The Bridgwater Hall is). On both of these occasions I’ve been surprised by the venue, and really enjoyed the show.

The stage was set up like a scene from the Wickerman, with Pagan-styled deer’s head atop a may pole, wicker back panels and the band all wearing flowing white shirts. Alison Goldfrapp herself (seeming to wear less and less clothes whenever I see her - which is a good thing) came on stage wearing a one piece billowing white dress and barefoot, like some sacrifice to the Pagan Demigods of Pop.

But something just didn’t seem to work at the venue for Goldfrapp. Perhaps it was the really shit seats I’d managed to get my hands on (Don’t worry Mr M*, you wouldn’t have seen much) but it really seemed to lack atmosphere. Now ‘Seventh Tree’, their new album, is a much slower, more folk orientated piece - which perhaps explains the choice of the Hall in the fire place. They played this album literally in its entirety, which is always nice, but with the older more up-beat, Electro, crowd-pleasers. This just didn’t seem to work for me. Don’t get me wrong, the people down at the front were seemed to really enjoy the show. Whether this was due to the performance of the fact the could see right up Alison Goldfrapp’s dress I’ll never know…

I really like a good Goldfrapp Concert - and I’ve been to a few now - but this wasn’t the best. I don’t think it was down to the music, which was perfect, entertaining and just how I’d like it to be played (Little Bird was great, a real favourite of mine of the album). I just don’t think the Bridgwater Hall was the right venue.

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Helena ChristensenLead singer of rock band Interpol, Paul Banks, has been seen enjoying a holiday by the pool in Miami with topless supermodel Helena Christensen.

Christensen has a history of rock star boyfriends, she was the girlfriend of asphyxi-wank victim Michael Hutchence, and also dated “Puffy-Faced Twat” Billy Corgan.

Helena Christensen Topless

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Brett AndersonEx-Suede frontman Brett Anderson is set to return to the music scene this summer with a brand new studio album, and a one off gig in London lined up.

The album, entitled Wilderness, is the follow up to last years eponymous debut album from Anderson.

The album features Anderson on vocals, piano and guitar. He is joined by cellist Amy Langley and guest vocalist Emmanuelle Seigne.

Brett is lined up to play the Mermaid Theatre in London on July 7th. Everyone buying a ticket will also receive a copy of Wilderness on a USB memory stick.

Brett Anderson

Brett Anderson

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Icelandic rock-geniuses Sigur Ros have announced the release dates for their forth coming studio album, and tour dates to coincide.

The album entitled Með suð í eyrum við spilum endalaust, or With a Buzz in Our Ears We Play Endlessly when translated into English, will be released on the 24th of June on XL Recordings.

The album is preceded by the brilliantly titled single Gobbledigook, which is premiered on BBC Radio 1 tonight (May 27).

If you miss the airing of the single don’t despair, you can download a free MP3 of the track by visiting the band’s homepage: Sigur Ros

If you want to try and catch Sigur Ros live, here are the dates they’re playing:

June 5: Guadalajara, Mexico (Teatro Degollado)
June 7: Tepoztlan, Mexico (Festival La Colmena)
June 8: Tijuana, Mexico (Planeta Tijuana)
Jun 11: Omaha, Neb. (Orpheum Theater)
June 12: Kansas City, Mo. (Uptown Theater)
June 14: Manchester, Tenn. (Bonnaroo Music and Arts Festival)
June 16: New York (Grand Ballroom)
June 20: Neuhausen ob Eck, Germany (Southside Festival)
June 22: Scheesel, Germany (Hurricane Festival)

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Madonna - Hard Candy, album coverI can sum this up in two short lines. I’ve been listening to the new Madonna album ‘Hard Candy’, and as the title suggests, it’s hard to swallow.

But that wouldn’t be fair on good ol’ Madge. Nor would have writting this on my first listen. I’ll explain…

I listened to this album on the bus to my real job in the morning. In the full hour running time, I went through a number of emotions for this, Madonna’s eleventh studio album. Now let’s not beat around the bush - if bush beating were a past time of mine - I’m not into this kind of music. I loved Madonna in the eighties (didn’t we all?) then my growing disinterest turned to loathing in the nineties, about the time of the ego-shagging snore-umentary, ‘In bed with Madonna’ came to light. That was until her triumphant return in 1998 with ‘Ray of Light’, and a carefully calculated collaboration with William Orbit (of the chewing gum, fame).

Slowly, I think she has been testing my patience, what with some gentle ego boosting from the likes of Britney Spears and Christina Aguilera, not to mention Missy Elliot. Jees! What was all that about. I did, however, like the disco chic of ‘Confessions on a Dance Floor’ - there was something tongue-in-cheek about the whole thing…

But this one… This is something very different.

I accept the fact that in order to stay in vogue, Madonna needs to change her image. We all know it. And to be going to the ripe old age of fifty, as a queen of pop, you have to do some serious image alterations - not to mention cosmetic alterations… shhhh, she may hear… But I’m not sure if I understand the collaborations on this album.

Now I’m going to pinch from another review in this statement (from Heat Magazine, if you must know - but I just want to point out, I didn’t read it… I promise, and you can’t prove a thing). If I’d wanted to listen to a Timberland album, I’d have bought his. Never a truer word said, as this is essentially what this is.

As I already mentioned, I’m not into this kind of pop, but I can respect original music, done well - but I’m not sure if this falls into either of those. On first listen, I felt I would have to tip my hat (or Fedora, present situation in mind) to the fact that Madonna must be a real force in the music industry to be able to get all these people involved with her new album. They all must have had to drop some work from their busy schedules of whoring themselves to the media in order to give a helping hand. But then a second thought that occurred to me, this wasn’t Madonna rolling her freakishly-manlike fingers through her address book, picking up the phone and saying, “hey Kanye, you too busy to write a song with me?”. Oh no! This was Timberlands show.

There’s an ‘in-crowd’ in the music industry at the moment. You only have to watch any MTV music award to see who the hot-shite are at the minute, as they’re all the people playing live and give the awards to one another. And Timberland’s worked with all of them. He’s the one who picked up the phone and called all his ‘buddies’.

There is an almost ironic, eighties revival going on in the popular, rap world. With new, young up-and-coming rappers going all ‘old school’ for their sounds. I was expecting some of that in this, with Madonna going back to her eighties roots - of which there are a few beats and sounds that sound like their straight off the mix tapes of her first album. But not enough to raise my interest, I’m afraid.

 

I’m not sure why Madonna needs to have media whore Justin Timberlake on side to raise her credibility. I really don’t see why he’s held in such high regard. There are two kinds of talent in this world, those who have one, or those who have a talent for making you think they have one - don’t get me wrong, it’s a talent all in itself, but not the talent we’re being led to believe they have. It doesn’t bother me one bit, ‘a fool and his money…’ I always say. But surely a media savvy woman like Madonna can see that the only reason why anyone buys Justin Timberlake albums is because he falls into the latter of the two. The guy is a full time media whore! People believe that because we see him so much, he must be special. And we hardly see anyone more than him - I’m currently waiting to have JT billboards put on the back of my eyes, just so I can still see him when I sleep.

That said, it is a fine piece of what is current. But if you’re into that sort of thing, I’d recommend Timberlands album instead…

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Robert SmithThe Cure are set to make their comeback with their 13th album, preceded by four singles each released on the 13th of the next coming months.

Their first single off the forthcoming album is entitled “The Only One”. It will be released on 13th of May and the next three singles will be released on the 13th of June, July and then August.

The Band are preparing to embark on a 30 date tour of the US, which begins in Washington on 9th of May.

You can find more details on the band’s website The Cure

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James BrownThe Godfather of Soul is rumoured to have been poisoned by thieves intent on stealing a fortune buried somewhere on Brown’s South Carolina estate!

Business associates of Brown have been calling for his body to be exhumed for toxicology tests to see if he was murdered, a postmortem was never carried out when the singer died on Christmas Day 2006.

Brown’s widow Tomi Rae Hynie backs the claims, but is refusing to go on record fearing for her own safety.

 

Good God!



Sarah Brightman has returned to the music scene looking hotter than ever! Just look at the comparison from 25 years ago!

Sarah Brightman

Brightman stole the show at Tuesdays Classical Brit Awards nominations in London where she performed a song from her latest album Symphony.

The 47-year old singer even gave Myleene Klass some competition in the “Classical Babes” stakes, as she posed for photographers in a Goth looking outfit with thigh-high leather boots and studded wristband.

Sarah Brightman

Miss Brightman split from composer Sir Andrew Lloyd-Webber in 1990 and her career went from strength to strength, even beating Sir Elton John to become America’s top selling British artist in 2000 with over 26 million album sales to date.

Sarah Brightman

Sarah Brightman

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